thomas hummel

So much projected light, it called it serenade.


These ask their query them of them
that always will it throw away a time

until this hour do necessity in carefulness
to peel and order, talk which it avoids

and peel again at that which must mean
hazard. Any one boat song it pleased

in the place which does not let to leave
things known similar to hazard. Sides not

at all it will can mean is big to it for them.
Wasn’t hazard pasting possibility most

inside the hour and assuredly a likeness
only seen in bays? Knowing it compared

to correspondence in the coming possibility
of fond initial hours for its guessing out

the hazards. In necessity, inner methods
do which sense recovers excellent.

Ask nearly close to it and, inside, peel
to roping chance of possibility. To them

effects expatiation, sea the whole with
multilayered objects to be marketed

together, stalling each their set devotions.
Connecting them, necessity; them to be

like this is. Listening is and of it, sold
a fact that if it keeps, hazards will erase

inside embarrassment scenarios. Beneath
importance, there is a possibility of doing

and in order. To think it them together
inside vast agreeing quantities, not at all

well grudged. Follow there the calling to
and peel me it I met all wrong. It talks

in hazard which it carry in him, hazard
him he carries things together oneself sees.

All victories. It happens it while it it thinks
a broadish way expansive changed from time

to time inside. Before their oneself being useless
it creates and it meets and it evenings all

at heights all what it grows. Liking it was
one array in misdemeanor; she talked to us

who quite well doing, who two things each
with us we differently decease. One array

increases and under them in kindness
does it coming every day become necessity.


Thomas Hummel's work has appeared or is forthcoming in 1913: A Journal of Forms, The Canary, Colorado Review, EOAGH, The Modern Review, VOLT and elsewhere. He works for the Estate of Jackson Mac Low and the Nature Theater of Oklahoma. He lives in New York City.